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    Madlab Theater Roulette 3,9/5 1438 votes

    MadLab's blackjack short video festival. Unable to produce live shows, including our annual Theatre Roulette short play festival, we challenged independent filmmakers to produce short films for us during quarantine. No rules, except to follow state-mandated social distancing guidelines. MadLab Theatre and Gallery is a non-profit organization that provides an artistic haven for the crea. Community See All. 4,937 people like this. 5,047 people follow this. 5,169 check-ins. 227 N 3rd St (1,867.00 mi) Columbus, OH 43215. Get Directions (614) 221-5418. THEATRE ROULETTE is MadLab’s annual shorts festival. In its first year, THEATRE ROULETTE began a tradition of an annual shorts festival that has lasted more than 10 years. The first year was an “invitation-only” festival, from there expanded to taking local submissions to taking submission from across the United States to now, receiving.

    Madlab theatre roulette

    Madlab Theatre Roulette

    Susie mcgarry: interview for columbus underground

    12/11/2020

    We had to edit Susie's answers to fit the CU guidelines, so here is her full interview!
    You ran a theatre before coming to MadLab. Tell us about that.
    During our last year of college, my great friend “John John” (John Galbraith) and I learned The Freshman Show was discontinued due to budget restraints. This show was an annual tradition at Baldwin-Wallace College. My involvement as a frosh had a deep impact on showing me the importance of theater. So with $20, ingenuity, and the code to the copy machine, we produced and directed a successful short play festival including original work and all first year (and in some cases, first time) actors and stage crew.
    Soon after, we noticed three local theaters were all producing the same popular show, at the same time. A show that has been produced thousands of times before. Feeling a bit haughty from our short play fest triumph, John John and I started producing original shows under the name Wayward Theatre Company. Our goal was to showcase unpublished, unconventional plays. Every show was a world premiere. In every facet, participants were chosen for their attitude over all else. No experience necessary! It created a welcoming, safe environment for self-expression. Wayward kept gaining momentum, especially after moving to New Orleans where our business model attracted some significant donors. Our most ambitious production to date was planned for late 2005. Hurricane Katrina happened in August. John John and I swam out of our home and yada yada yada about a week later managed to rent a car and drove north. Wayward ceased operations. John John and I are still great friends. He’s now a happily married, bass playing, wine making father of one human and three dogs in the Atlanta area.
    What brought you to MadLab (and has kept you there)?
    ​

    MadLab’s Theater Roulette got my attention. Original short plays are my favorite and, admittedly, auditioning for a production with 40+ roles available was less intimidating then some other theaters around town. I was still super nervous but it was a great atmosphere. Plus, I managed to get cast in The Last Word as hitwoman, Mercer – one of my all-time favorite roles.
    MadLab is professional without being pretentious. It’s serious yet relaxed. There’s also opportunity to try something new and to learn. They give you a chance. Then it’s on you. My kind of people.
    You had an artists space in Franklinton. Tell us about that.
    ​My “super awesome special friend” (now spouse) Eric Shook introduced me to the Franklinton arts scene. Eric is a metal artist and when we met, he had a studio at 400 W. Rich. Because of him, I started going to Franklinton Fridays open studios and other events at 400, The Vanderelli Room, The Idea Foundry, and Rehab. I love the energy and sense of community so I rented a studio at 400 for a while. That space was even used for some Theater Roulette and OGP rehearsals. Eric is currently one of the artists at the Central Ohio School of Metalworking (COSOM) and an Idea Foundry member. I’m back to being a Franklinton tourist and have a small home studio in Clintonville.
    You lead meditation sessions. How did you get into that
    ​
    My initiation to meditation was through hypnosis. Hypnosis is a type of deep meditation and my guided meditations include hypnosis techniques. I’ve kept up independent study of mechanics of the mind for a decade. It’s fascinating what our brains are capable of.
    Attending local shows and having the studio space at 400 W. Rich helped me get to know some local artists, including Alicia Jean (AJ) Vanderelli. Her gallery, The Vanderelli Room, hosted live events in addition to exhibitions with an emphasis on community. Through her kindness and generosity, I was able to use the space for donation based guided meditations for the general public. Before the recent state-of-affairs, I was working with Witchlab leading group and individual meditations. Since being at home, I’ve started a YouTube channel for meditations (Meditations with Susie) and continued with one-on-one hypnosis.
    You can perform hypnosis. Where do you learn that?
    I was professionally trained and certified through a former employer.
    Using hypnosis, I help clients change their behavior (i.e. quit smoking, overcome phobias, improve eating habits) and achieve goals. Hypnosis is an effective tool. Unfortunately, there often are negative associations and false assumptions due to media misrepresentation. Please know even the best hypnotists cannot coerce a hypnotic state. You must be willing to be hypnotized for it to work. I promise you cannot be forced to do silly tricks or worse. That’s on you.

    Madlab Theatre Roulette

    GENERAL INFORMATION
    To maximize your chance of selection, please read all the guidelines carefully before submitting.
    All submissions should be send to andyb@madlab.net
    Please put “THEATRE ROULETTE SUBMISSION” in the subject line.
    Theatre Roulette is a juried festival.
    Submissions must arrive no later than October 1st, 2016. We will not start accepting submissions until June 1st, 2016.
    Submission will be chosen and applicants informed if his/her piece was chosen on/or before January 2nd, 2017.
    SUBMISSION GUIDELINES
    Scripts should be between 5-30 minutes in length. Scripts of greater lengths will be considered, but due to time constraints, it is unlikely that unsolicited full-length plays will be selected for the festival, unless you are a Nobel or Pulitzer winning writer, in which case, your script will automatically be accepted for production as long as you waive your standard royalty, which would probably be more than the budget for the entire festival. If you are not sure whether or not you have won a Nobel or Pulitzer Prize, please find out through the glory of the world wide web and let us know.
    You may submit multiple scripts. If you are submitting multiple scripts, please include them all in a single email.
    Please include your name, address, phone number, and email address in the body of your email message.
    MadLab will also be accepting full collections of shorts. This would be a group of plays that are meant to be performed together and would constitute a complete night of plays.
    You may submit multiple scripts.
    Script submissions WILL NOT be returned to the applicant; MadLab will destroy all evidence of your creative instincts upon a funeral pyre at an undisclosed location in order to protect both the innocent and the guilty. Ashes will NOT be returned to you unless you purchase a commemorative urn from MadLab at the bargain basement price of $999.95.
    Due to our environmentally conscious president, you must email your script to us. Please send your script attached as a Microsoft Word document or PDF format. Scripts should be emailed to submissions@madlab.net. Please put “THEATRE ROULETTE SUBMISSION” in the subject line. If “THEATRE ROULETTE SUBMISSION” is not in your subject line, your submission may not be received. All submissions will receive a reply email to ensure that your submission was received.
    For ROULETTE, MadLab pays $50 to each playwright.
    If you’ve made it through all of this, congratulations. At least you’ve got the potential patience to deal with the travails of theatrical production. If you have any questions, please email them to Artistic Director Jim Azelvandre at jima@madlab.net
    Thanks for your interest. Good luck with your submission, and regardless of the outcome here, be sure to keep writing and producing new works.
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